Comfort
Rachel Smith Cobleigh
January 9, 2000
Rating: PG
Classification: AV
Summary: post-Orison vignette
Keywords: Pfaster, Scully Angst, Mulder/Scully UST
Spoilers: Orison
DISCLAIMER: The characters and situations of the television
program "The X Files" are the creations and property of Chris
Carter, Fox Broadcasting, and Ten-Thirteen Productions, and have
been used without permission. No copyright infringement is intended.
*****************
She wasn't going to cry this time, and she didn't.
The adrenaline rush, the tightly-controlled panic, the instinct
to fight for survival at all costs was gone now, and she could only
sink on the bed, her shoulders rounded with exhaustion, her pulled
muscles aching, the cut on her lip a dull pain to remind her of what
she didn't want to think about. She didn't want to, and so she
pushed it away and stood up from the bed.
Mulder had gone back into the kitchen to talk to the officers
on the scene. The soft tone of his voice had almost broken her, but
the memory of the gun in her hand had provided an escape, and she'd
turned to it to avoid his eyes. She didn't know who she had been--
but she wasn't going to think about that.
She looked dully at the shards of the shattered mirror at her
feet, the broken glass of her perfume bottles, their scent now
turned revolting as they soaked into her bedroom carpet. The shards
reflected the dimming light from the window behind her, some
shining, others not. She was only wearing thin slippers, so she
stepped carefully between the pieces and went to get a broom.
They'd already taken all of their pictures, and they were allowing
her to push the broken glass aside, in that small space in front of
her bureau, so she could get her things.
She got the broom out of the hall closet and went back into the
bedroom. With a few strokes, she'd pushed all of the shards out of
her way, and she left the broom leaning against the wall, where her
bookshelf had been. It had been there only half an hour ago,
everything had been clean and orderly-- she needed to get her
suitcase. She pulled it out from under her bed, and opened it on
the heritage chest.
Four days to a week, at least. She would need underwear,
socks, her running sneakers--but there was perfume splashed inside
one of them. It smelled spicy and rich; it turned her stomach. She
pushed the sneakers back next to the bureau and told herself that
she could buy a new pair. Jeans, sweats, shirts, three suits for
now, nylons and pumps, four t-shirts and how many pairs of socks did
she pack? Two more, just in case her feet got wet and she needed a
dry pair. Her slippers. Her watch--she found it on the floor among
the mirror shards; she'd left it on the bureau when she'd gotten
home, it must have gotten knocked off during the struggle. She
slipped it on her wrist. It was just after seven in the evening, it
was an analog watch.
"You all packed?"
She looked up from her watch, over at Mulder, standing in the
doorway. His eyes reflected the light behind her, they were quiet
and considerate, and she looked away. That was what threatened her
the most; just seeing him so sensitive to her pushed tears into her
eyes and made the lump thicker in her throat. She was accustomed to
his treatment of her from a distance. She swallowed and looked down
at the suitcase, taking inventory. She shook her head. Something
was missing.
She looked around the room, and her eyes caught on the Bible,
now laying before her on the bed. The sight of it just brought up
more questions in her mind, a cold fear in her chest, but she moved
around the corner of the bed and slowly picked it up. Mulder made
no sound from the door, but he walked in a few steps. She held the
book in both hands and looked up at him, but he only shook his head
imperceptibly, without answers.
With a light sigh, she placed it in the suitcase, looked at the
contents once more, and then sealed it with a firm click. She
lifted the suitcase in one hand.
"I'm ready."
"Do you need...to change?"
"I already did."
"I'll get your coat."
"Thank you."
Her partner made his way down the hall to her coat closet, and
he had her coat open and ready for her by the time she had reached
him with the suitcase. She set it down, feeling her muscles ache,
and then she straightened up and let him help her into the coat.
His hands slid down her arms a few inches and stayed for a moment,
and then he moved around her and picked up the suitcase. She didn't
feel any need to comment on chivalry, and he made no pretense of it,
either. On their way out--she didn't look at the mess--she got her
purse from the dining room table. It was still in the same place
that she had left it when she came home, still untouched.
She pulled it over her shoulder and silently followed Mulder
out of the apartment.
The drive to his apartment--she didn't want to stay alone in a
hotel--was silent. She knew he was looking at her with concern, but
she spent the whole drive with her face turned to the window.
Through the quiet neighborhoods, still untouched, and past the
package stores and parked cars. They pulled into his apartment
complex fifteen minutes later, and Mulder still didn't attempt a
conversation. All she felt was a kind of dull ache inside. It was
aftershock, she knew the symptoms. Pfaster was dead-- she didn't
want to think about that.
Mulder pulled into a space and turned off the car. They sat in
silence for a few moments, and she looked at him.
"Let's get inside," he said.
She nodded, and they got out. He retrieved the suitcase from
the back seat, and she held one hand over her purse to keep it from
swinging off her shoulder.
When they stopped at the apartment door, Mulder fit his key in
the lock and pushed the door open.
"I apologize for the mess; I'll clean it up."
"I don't mind, Mulder," she answered softly, tired. She felt
exhausted, but she didn't think she'd be able to sleep. She knew
this was the only place that she wanted to be right now, and that if
there was any sleep to be found, it would only be here. It gave her
some small comfort, this familiar place with its comfortable shadows
and well-used vinyl couch. It reminded her of him, it smelled like
him. She was so tired.
"You can have the bed. I'll sleep out here."
"Oh, Mulder, I couldn't..."
"Yes, you can." He turned back to her, and was it just her
tired imaginings, or was he leaning closer? "You'll be all right."
Why did he have to look at her like that? Because he genuinely
cared, she knew he did. She was not going to cry.
He didn't seem to notice her falter, or perhaps he saw it all
too clearly, and he turned away, bringing the suitcase into the
bedroom. She felt an absurd laugh at the thought--his bedroom,
which seemed to have spontaneously appeared, cleaned, with a new
waterbed that had sported a mirror hung overhead.
He had set the suitcase down next to the nightstand, and she
came into the room, too tired to feel awkward. He pushed a few
things off the counter into the drawer, clearing a space for her.
"Do you have an analog alarm clock?" she asked, surprising
herself with the strained sound of her own voice.
"No, I'm sorry."
"No, don't worry about it," she waved a tired hand and looked
at the bed. The bedposts and the tester--along with its mirror--
were gone. She was relieved. She never would have been able to
sleep with her reflection staring down at her all night long.
"Can I take your coat?"
"What? Oh, yes..." She let the purse drop to the bed, and
shrugged out of her coat; he took it and gave her shoulder a
squeeze.
"You'll be comfortable?"
"I'll be fine, thank you, Mulder."
"No problem." He gave her a tentative smile, and she tried one
back. It didn't come from anywhere, though; it was just a
responsive tug at one corner of her mouth.
"Good night."
"Good night." Their eyes held for several heartbeats, and she
felt that onslaught of crying threaten, welling up again. She
swallowed and looked at the floor. Her feet were cold.
Mulder turned away, taking her coat with him, and a few seconds
later, the door clicked softly shut behind him.
She looked at the bed; it was neatly made, with a beige
comforter. She picked up her purse from the bed and set it on the
nightstand, got out a pair of warm socks from her suitcase, and
after tugging them on, she climbed under the covers. They had his
scent, faint and indiscernible. She stared at the ceiling. She was
afraid to close to her eyes; she knew what would haunt her, which
images were burned into her memory. She knew the Bible was in her
open suitcase, on the floor.
She lay staring at the ceiling for a long while; she could hear
Mulder moving around the apartment, the water running, and then
after a while, silence. The light was still on; she couldn't quite
bring herself to turn it off. She turned on her side and looked at
the window, then remembered her own bedroom window and rolled back
over to stare at the fold-away doors of Mulder's closet.
Pfaster had been hiding in her home, behind the doors--
She felt small, cold, and alone in the bed. The red numbers on
the digital clock read 7:33, the little p.m. light was lit. It was
too early to sleep, she couldn't sleep.
Mulder looked up from his book when Scully shuffled quietly
around the corner into his den. She had wrapped the comforter from
his bed around herself, and so her short form was swathed in a
mountain of beige.
"I was cold, I hope you don't mind," she said, motioning with
the blanket.
"Not at all, do you want me to turn up the heat?"
"Mm, no, it's okay."
She stood, indecisive, for a moment, looking everywhere but at
him. He was stretched across the couch; he sat up and swung his
legs down.
"Can I get you something to drink?"
"Mulder, you really don't have to."
He stood up, leaving the book behind on the seat.
"Hot chocolate? Coffee? Orange juice?"
He came past her, and she looked up at him.
"Ah, hot chocolate is fine."
"Then make yourself comfortable, and I'll be right back."
"Thanks," she said. He nodded and disappeared into the
kitchen.
She went over and sat down on the near end of the couch. She
looked over at the kitchen, listening to him moving around for a
minute, and then she looked around the room, and across the couch.
He'd propped an old pillow against the other arm, and the book was
laid next to it. Curious, she leaned over to see what it was, and
was surprised to find it a Bible. Mulder? With a Bible? That was
the last thing she'd expected. It was opened to I John, and she
scanned the lines, looking for what he had been reading. Her eyes
were drawn to the beginning of the fourth chapter... *"Beloved,
believe not every spirit, but try the spirits whether they are of
God: because many false prophets are gone out into the world..."*
She shivered. The microwave beeped in the kitchen.
"One hot chocolate, no marshmallows. I'm sorry, I'm out." He
came in, carefully holding the hot mug in one hand, and a napkin in
the other.
"It's okay." She actually almost felt like smiling. He leaned
down and made sure she was comfortable with it, surrounded by the
blanket, before he sat down next to her with a glass of orange
juice. "Thanks."
"You're welcome."
They sat in companionable silence for a couple of minutes,
sipping their respective drinks. Scully began to feel a little
warmth creep into her. She set the mug down on the blanket folds
in front of her, both hands wrapped around it, and looked over at
Mulder.
"What are you reading in it?"
He looked sideways at her, his head leaned back against the
wall.
"I don't know. I was just remembering Theology back at
Oxford--I took it as one of the general education requirements--and
I was thinking."
"Mmm." Scully sipped from her mug.
"You know, with all of my fantastic theories about UFOs and
conspiracies, no matter how far-fetched, I believe they're still
things possible, that some science--maybe not ours, not yet, but
*some* science--can explain them all. Just because we can't
understand them doesn't make them impossible." He sighed, and
tipped his head back. "But when it comes to faith, I find it
difficult to accept that same idea, because I don't know if any
science can explain what's true, and what's someone's delusion, and
what's worth having faith in. The only safe path is not to believe
at all, and so you protect yourself from delusions and you don't
have to question if your faith is real--because you don't hold onto
one."
"I know, Mulder. But you do have faith. You have faith in
those things you believe some science can explain. So do I, even
though I may try to oppose you at every turn. I've seen enough that
I can't explain to know that the only wise route to take is to
believe that our science is incomplete--not that these things can't
exist because I can't understand it. But those are the relatively
easy things to believe in, Mulder, things you can explain. It's the
faith that's chilling. I don't know what to believe, anymore. I
grew up believing in *something,* and now I'm trying to find some
context for that in all of this. Or maybe all of this in some
context for that. I don't know. But I can't give it up just
because I don't understand why things happen."
"I'm not saying you should; I envy your faith, Scully. You
have something to hold on to. I'd like that, but I can't resolve it
with what I know, or rather, what I don't know."
"Thanks for listening to me at the hospital, Mulder. I
appreciated that."
"I'm sorry for snapping at you."
"I forgive you." She smiled, just slightly, into her mug.
"Thank you for the pardons, milady," Mulder answered drily.
They were quiet again, and Scully shifted father down into the
comforter, feeling warmer now.
"Would you like to watch something?" Mulder asked.
"What do you have?"
"Um, let's see..." He pushed himself off the couch and opened
the doors under the television set. Scully moved her head to look
past his shoulder at the rows of videotapes.
"Do you own all of those?" She asked, in a dry tone, with a
smile underneath.
"Yes," he answered in the same tone, not turning around. "How
about 'Sports Greats' Greatest Mistakes II'?"
"Sounds perfect," she answered, smiling inwardly at the memory
of when he gave her 'Superstars of the Superbowl', in the hospital
room. And her cross. She touched the chain around her neck.
He pushed the tape into the VCR, and then uncurled his tall
frame from the floor space between the TV and coffee table, and
returned to sit beside her.
"You really know how to show a girl a good time," she said, as
the opening credits rolled and a shortstop wearing a Yankees uniform
was bonked on the head with a baseball.
He laughed quietly and leaned back. "Only the best for you."
She let go of some of the tension in her stomach, and shifted
in the blankets. She leaned a little of her weight against him,
amid the mountain of comforter, and looked sideways at him.
"Do you mind?"
"Not at all," he answered.
They watched the video and laughed together a few times, and
she got a little sleep.
*****************
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© 2000 Rachel Smith Cobleigh